A certain rich man’s land produced a very large crop. There is nothing to suggest he was a nasty man. There is nothing to suggest that he got his wealth through sinful behaviour. There is no backstory and no reason for anyone to think he may have got his money from robbing the poor etc. There is nothing to make us think anything badly of this man unless we read things into it. What this story does tell us, is this: all that we do can have no worth unless God blesses the deed. 

This passage is asking, who do you prioritise? Some versions call the rich man a foolish man because he is not putting God at the centre or thanking God for all the extra crop he is growing. Psalm 53 starts off by saying “Foolish people say in their hearts, ‘There is no God.’” This rich man is foolish because he thinks his success is down to him. He does not thank or worship God. He does not have an attitude of gratitude. He has not put God first, and that is why he is foolish.

There is nothing wrong with creating wealth, it is what you do with it that matters. You can go out and earn money; there is no question that God wants us to prosper. There is no doubt that God wishes us to enjoy the riches of God’s creation. But the foolishness of this story is that the man does not think of giving any of his surplus crops away to those suffering around him. 

The second part of the reading is in many ways more self-explanatory. It reminds us not to worry, and that is really hard. I admit I am a bit of a worrier. I went to the theatre yesterday, which you probably think would have been a pleasant experience. I went to see Les Miserables, which in itself is the most dreadful, horrible story in the world, but the music is very good. So, what did I worry about? I worried if I would get there on time and I worried that I did not have the right COVID-19 double vaccination proof, but that all went well. I then got to my seat and I worried about where my arms were going to go, are they going to get in the way of the lady sharing the armrest next to me? Then I worried about who is going to sit in front of me. What if it is a 6ft 8 giant? Luckily, God blessed me with a 4ft 8 lady instead, who needed a booster seat! I worried I would not be able to hear, I worried I would cry because I cry quite easily. In the interval, I worried about getting ice cream. Am I going to get the right number of ice creams? As it happens, I got in the queue and the card machine was not working, so I had to join another queue! After the show, I worried about how I would get home. It was getting late and it was raining, was I going to get soaking wet? 

So, trust me, when you are a worrier, life is very hard, but Jesus tells me, do not worry, do not be anxious. I know how hard it is to have anxiety but if we have faith in God then our worries should at least be alleviated. Of course, if you do worry, that does not mean you do not have faith in God. What this reading is saying is allow God to help you, allow God to be with you in that anxiety and let him help you get through the worry.​

Psalm 65 speaks of the abundance of God's love. Verse 7, about the calming of the oceans and the rolling of the waves, reminds us of Jesus in the boat with the storm, which He stilled after saying to the disciples, “You of little faith, why are you so afraid?”  (Matthew 8:26) This showed the people of Israel that Jesus was God; He could still the storms, just as God does in this Psalm.

This Psalm was written 1000 years before Jesus was born, traditionally by David. It reminds us in verse 3, “When our sins became too much for us, you forgave our lawless acts.” Some people find this hard to accept. It is sort of saying, no matter what you have done, no matter what evil you have done, as long as you repent and are sorry, then forgiveness can be yours. Yet, when it comes to forgiveness, some people are so entrenched in pain and wanting justice by way of revenge, that they cannot accept that God can forgive. It is vital you remember that you have to repent, you have to be sorry.

In Theological College, we had to debate whether or not Jesus would have forgiven Judas. There were strong feelings either way, but in the end, it was decided that because Jesus was God - a God of love - even Judas would have been forgiven. So verse 3 reminds us, even though it is unpalatable, if there is the desire to repent, then they will be met by a God of forgiveness. 

Verses 6 - 13 are all about God’s abundance. “Everyone on earth is amazed at the wonderful things you have done.” Take a moment to think to yourself, how amazed are you about the wonderful things God has done? How has God developed you and made you the beautiful person that you are today?

Thomas Becket was born in Cheapside, London in December 1120 to Gilbert and Matilda. Both parents were of Norman descent and may have named their son after St Thomas the Apostle, whose feast day falls on 21st December. Gilbert Becket was a small landowner who gained his wealth as a merchant in textiles. At the age of 10, Becket attended Merton Priory in the southwest of London. He later attended a grammar school in the city where he studied grammar, logic, and rhetoric. At around 18 years old, his parents sent Becket to Paris, where his education expanded to include the Liberal Arts, such as arithmetic, geometry, music and astronomy.

After three years, Becket returned to England, where his father found him a position as clerk for a family friend, Osbert Huitdeniers. Shortly after this, Becket began working for Theobald of Bec (1090-1161), the Archbishop of Canterbury. At this time, Canterbury Cathedral was a place of learning, and Becket received training in diplomacy. Theobald entrusted his clerk to travel on several important missions to Rome. He also sent Becket to Bologna, Italy, and Auxerre, France, to study canon law. Following this, Theobald named Becket the Archdeacon of Canterbury and nominated him for the vacant post of Lord Chancellor.

Thomas Becket was appointed as Lord Chancellor in January 1155. He became a good friend of King Henry II (1133-89), who trusted Becket to issue documents in his name. Becket had access to Henry’s royal seal, which depicted the king sitting on a throne, holding a sword and an orb. For his work as Lord Chancellor, Becket earned 5 shillings a week. The king also sent his son Henry (1155-83) to live in Becket’s household. It was customary to foster out royal children into other noble families, so it was a great honour for Becket.

Following Theobald’s death in 1161, Henry II nominated Becket for the position of Archbishop of Canterbury. This was a strange choice because Becket had no religious education and lived a comparatively secular lifestyle. Nonetheless, a royal council of bishops and noblemen agreed to Becket’s election. On 2nd June 1162, Becket was ordained a priest, and the following day, consecrated as archbishop by Henry of Blois, the Bishop of Winchester (1096-1171).

It soon appeared Henry had an ulterior motive for selecting Becket as the new Archbishop of Canterbury. He wished Becket to continue to hold the position of Lord Chancellor and put the royal government first, rather than the church. This would place the church under Henry’s power, but his plan failed, and Becket renounced the chancellorship, which Henry saw as a form of betrayal. Despite his secular background, Becket transformed into an ascetic and started living a simple life devoted to humility, compassion, meditation, patience and prayer. Becket also started to oppose Henry’s decisions in court, which created significant tension between them.

The rift between Henry and Becket continued to grow throughout the two years following Becket’s archbishopric appointment. Their main arguments focused on the different rights of the secular court and the Church. Henry wished to punish churchmen accused of crimes at court, whereas Becket insisted this infringed upon the rights of the Church. Neither Henry nor Becket gave up their argument, and the issue was never resolved. Becket disagreed with many of Henry’s decisions and refused to endorse and sign documents.

On 8th October 1164, Henry summoned Becket to Northampton Castle to stand trial for allegations of contempt of royal authority and malfeasance in the Chancellor’s office. Despite Becket’s attempts to defend himself, he was convicted of the exaggerated crimes. Angry and fearing for his life, Becket stormed out of the trial and fled to the continent, where he spent six years in exile under the protection of Louis VII of France (1120-80).

​Running away did not fully protect Becket from the king. Henry confiscated Becket’s land and wealth in retaliation for leaving the country without his permission. He also forced members of Becket’s family into exile. The king took the opportunity to go against the ways of the Church, knowing that while in exile, Becket could not prevent anything. On 14th June 1170, Henry II had his son Henry crowned as joint monarch at Westminster Abbey. By ancient rights, only the Archbishop of Canterbury could perform coronations, but the king undermined Becket by asking the Archbishop of York and Bishop of London to conduct the ceremony.

Learning of the “Young King’s” coronation, Becket approached Pope Alexander III (1100-81), who had previously forbidden the Archbishop of York from conducting such ceremonies. The Pope permitted Becket to excommunicate the bishops involved. This was a punishment reserved for serious offences.

Becket initiated a fragile truce with Henry II and returned to Canterbury on 2nd December 1170. At this time, Henry was unaware that Becket had excommunicated the bishops involved with young Henry’s coronation but soon learned about the act while at his Christmas court in Normandy. He reportedly flew into a rage and called Becket a traitor and “low-born clerk”. Four of Henry’s knights witnessed this outburst and hatched a plan to arrest Thomas Becket on behalf of the king.

​On 29th December 1170, the four knights: Reginald FitzUrse (1145-73), Hugh de Morville (d.1202), Richard Brito and William de Tracy (1133-89), arrived in Canterbury. They found Becket in the cathedral and informed him he had to go to Winchester to account for his actions. Becket refused and proceeded to the main hall for vespers. Meanwhile, the knights went away and returned with their armour and weapons. Seeing this, the monks tried to bar the doors to the cathedral, but Becket allegedly exclaimed, “It is not right to make a fortress out of the house of prayer!”

According to eye-witness reports, the four knights rushed into the cathedral wielding their weapons and shouting, “Where is Thomas Becket, traitor to the King and country?” Standing near the stairs to the crypt, Becket announced, “I am no traitor, and I am ready to die.” The knights attacked, severing a piece of Becket’s skull. “His crown, which was large, separated from his head so that the blood turned white from the brain yet no less did the brain turn red from the blood; it purpled the appearance of the church.” (Gerald of Wales, Expugnatio Hibernica, 1189)

​Thomas Becket’s story does not end at his death. The exhibition at the British Museum uses objects to narrate the events in chronological order. Becket’s death occurs only one-third of the way into the narrative, suggesting the Archbishop’s legend had only just begun.

The spilling of Becket’s blood had defiled the sanctity of the cathedral. The monks needed to act quickly to clean up the mess. They placed his body in a marble tomb in the crypt and cleaned up the blood, which they kept in special containers. Due to the number of eye-witnesses, the news of Becket’s death spread quickly, so the monks closed the cathedral to the public to prevent people from entering out of morbid curiosity.

On hearing of Becket’s murder, Henry II was shocked but initially refused to punish his men. This implicated the king of the crime, and rumours soon spread that Henry had ordered his men to kill the Archbishop of Canterbury. Becket’s popularity grew, and Henry feared his people turning against him. The pope also suspected Henry of foul play, so to appease him, Henry performed penance twice in Normandy in 1172. Afterwards, the king travelled to Canterbury to acknowledged his involvement with the crime and asked the monks to punish him accordingly. Henry underwent public humiliation by walking barefoot through the city.

Cult-like worship of Thomas Becket began throughout the country before spreading to the continent. People travelled from far and wide to visit his tomb, which the monks eventually opened to the public. Soon, rumours spread of miracles that happened to those who visited the location of Becket’s remains, which drew thousands more to the cathedral. On 21st February 1173, the Pope officially made Becket a saint and endorsed the growing cult.

​Members of the Thomas Becket cult believed the saint’s blood held miracle properties. Becket’s blood-stained clothes were sought by those who believed touching them could cure them of many ailments. The monks also sold Becket’s diluted blood, known as St Thomas Water, to pilgrims in special flasks decorated to reflect the saint’s life. Many unwell people consumed the “water”, who claimed it healed them from their life-threatening illnesses. These flasks have been found as far as the Netherlands, France and Norway, indicating the distance people travelled to visit the saint.

A monk called Benedict, who witnessed Becket’s murder, undertook the task of recording all the miracles that occurred to pilgrims visiting Becket’s tomb. By 1173, he had recorded over 270 stories, and still, people continued to arrive at the cathedral in the hopes of receiving similar treatment. In 1220, Becket’s body was moved to a new shrine in Trinity Chapel, which helped accommodate the influx of visitors. This relocation marked the 50th anniversary of Becket’s death and was celebrated with a ceremony attended by King Henry III (1207-72), the papal legate, the Archbishop of Canterbury Stephen Langton (1150-1228), and large numbers of foreign dignitaries.

​In 1174, the cathedral suffered a devastating fire, which destroyed most of the east side of the building. Over the next fifty years, stonemasons worked laboriously to repair the damage. During this time, they also built a new shrine for Becket’s body. The new chapel was decorated with stone columns and a marble floor. The stained-glass “miracle windows” completed the shrine.

“In the place where Thomas suffered … and where he was buried at last, the palsied are cured, the blind see, the deaf hear, the dumb speak, the lepers are cleansed, the possessed of a devil are freed … I should not have dreamt of writing such words … had not my eyes been witness to the certainty of this.” (John of Salisbury, Becket’s clerk and biographer, 1171)

​The six-metre tall windows, twelve in all, only reveal a handful of the miracles following Becket’s death. The window exhibited at the British Museum is the fifth in the series and records people cured of leprosy, dropsy, fevers, paralysis and other illnesses and disabilities. Six panels of the window tell the story of Eilward of Westoning, a peasant accused of theft. He was punished by blinding and castration, but during the night, Becket visited him during a vision. When Eilward awoke, he discovered his eyes and testicles had regrown.

​St Thomas’ popularity continued to grow during the next couple of centuries. The pilgrimage to his shrine became as famous as those to Jerusalem, Rome and Santiago de Compostela. Pilgrims arrived from as far north as Iceland and as far south as Italy to visit Becket’s shrine and experience his miracles. The cathedral began selling souvenir badges and other paraphernalia made from lead, resulting in one of the earliest gift shops in the world. The majority of the badges featured images of Becket as the Archbishop of Canterbury or with a sword in his scalp to indicate his murder.

One of these souvenirs is referenced in The Canterbury Tales by Geoffrey Chaucer (1340s-1400), one of the world’s earliest pieces of literature. The book tells the story of an imagined group of pilgrims travelling from London to Canterbury. To pass the time on their journey to the shrine, each character competes to tell the best tale, for which the winner would receive a free meal on their return to the Tabard Inn in London. Chaucer’s characters are an eclectic mix of medieval pilgrims, such as a yeoman, a merchant, a shipman, a knight, a miller and a friar.

Pilgrimages to St Thomas’ shrine continued until the reign of Henry VIII (1491-1547). English kings and their families respected the saint, often visiting the cathedral and commissioning spectacular commemorative items. Henry VIII and his first wife, Catherine of Aragon (1485-1536), did the same, but the king’s attitude towards Thomas Becket changed when he tried to file for a divorce. Pope Clement VII (1478-1534) refused to comply with Henry’s wishes, so he took it upon himself to reject Catholicism and create a new branch of Christianity, the Church of England. In the years following his self-appointment as the Supreme Head of the Church of England, Henry dissolved Catholic convents and monasteries, destroying buildings and their contents in the process.

​On 5th September 1538, Henry VIII arrived in Canterbury, where he and his men set about dismantling the shrine of Thomas Becket. They stole the jewels and gold embedded into the tomb, then removed the saint’s bones. Following this act, Henry stripped Becket of his sainthood. Henry VIII’s allies supported his actions and condemned pilgrimages and denounced Becket as a traitor. They removed his name from books, and anything containing references to Becket was destroyed.

Those who opposed the crown continued to revere Thomas Becket. They also respected the former chancellor Thomas More (1478-1535), who shared a similar fate when he opposed the king. No longer able to collect mementos of Thomas Becket, people began treasuring objects connected with Thomas More. Similar acts occurred after the execution of the chancellor Thomas Cromwell (1485-1540) during the reign of Mary I (1516-58).

​Devoted Catholics managed to keep Becket’s memory alive by worshipping him in secret during the reigns of Protestant kings and queens. Many items connected to the Archbishop survived due to the number of pilgrims and devotees on the continent. One of the rarest reliquaries to survive is a fragment of Thomas Becket’s skull. The bone rests on a bed of red velvet and is secured in place by a golden thread. It is protected by a silver and glass case upon which is written “Ex cranio St Thomae Cantvariensis”, meaning “from St Thomas of Canterbury’s skull”. It is likely someone smuggled the reliquary out of the country during the Tudor period.

Opinions remain divided as to whether Thomas Becket is a saint and martyr or a traitor and villain. 

St Paul’s Cathedral is one of the most famous landmarks in London. In photographic and illustrative cityscapes of the capital, St Paul’s is invariably positioned in the centre. The cathedral is so well known, it independently represents England’s famous city.

The beautiful building is admired by thousands of visitors every day, attracting over 250,000 school children per year. For many, to have a photograph taken on the steps of the main entrance is sufficient, however, the interior is something not to be missed.
In order to fully appreciate the magnificence of the architecture and decoration, some knowledge of the cathedral’s history needs to be recognised. Many people know about the destruction of the building during the Great Fire of London in 1666, but the current structure is actually the fifth cathedral to have stood on this site.

In 604AD, King Ethelbert of Kent founded the first St Paul’s Cathedral in the heart of the City of London. At this time, Christianity was still relatively new, therefore the wooden structure was one of the first religious settlements in England. Unfortunately, most likely due to the inadequate building material, it succumbed to fire in 675. Undeterred, the building was re-erected, only to be destroyed by Vikings a few centuries later.

The third version of the church was sensibly built in stone, however, St Paul’s appeared to be ill-fated, suffering another fire in 1087. With the Normans on the throne, those in power were determined to build the tallest church in the world, so construction began on a fourth building. The erection of this unique cathedral took many years followed by an additional 60 to make it even larger.

From 1300 to 1600, St Paul’s Cathedral stood without fatal incident, however, lack of care resulted in a gradual deterioration. Inigo Jones, a notable architect (whose other notable works include the Queen’s House, Greenwich) oversaw the restoration of the decrepit building, but it was doomed from the start with the launch of the English civil war. Plans to continue developing the cathedral were made after the reinstatement of the monarchy, with Christopher Wren drawing out the blueprint, unfortunately, the hapless building was to face another demolition. In 1666, before Wren had the opportunity to start building, St Paul’s was completely destroyed by the infamous Great Fire of London.

​Sir Christopher Wren (1632-1723) was a remarkable man of many talents. Now respected for his architectural skills, he was also an accomplished astronomer and mathematician. In fact, he was a professor of astrology at Gresham College in London and Oxford University. His deep-rooted devotion to Christ, as a result of being a rector’s son, and his allegiance to the royal family during the civil war earned Wren the opportunity to work on the prestigious cathedral.

Wren had already completed several commissions in London, including the palaces at Kensington and Hampton Court, therefore Charles II knew he was a trustworthy architect to take charge of London’s greatest building. With a motto “Architecture aims at eternity,” Wren not only focused on the aesthetic appeal but took into consideration the longevity of the construction.

By 1675, Sir Christopher Wren was ready to begin building work. The floor plan was set out to resemble a Latin cross – an indicator of the crucifixion and resurrection of Jesus Christ – and the building was to be topped with a dome, mainly to satisfy Wren’s desire.

Initially, Charles II and other influential individuals were set on having a spire atop the cathedral, but due to Wren’s persistence, the famous dome was assembled instead, thus unintentionally creating one of St Paul’s Cathedral’s famous interior marvels: the Whispering Gallery.

The Whispering Gallery, located 30 metres above the cathedral floor, got its name as a result of an architectural fluke affecting the acoustics in the dome. A whisper against the wall on one side of the gallery can purportedly be heard at the opposite wall. Unfortunately, the number of visitors in the gallery makes it impossible to fully test this theory. If the 257-stepped spiral staircase was not too much for you, it is possible to climb even higher. Above the Whispering Gallery at 52 metres and 85 metres from the ground are the Stone Gallery and the Golden Gallery. These both run around the outside of the dome, providing fantastic, panoramic views across London.

Although the unique acoustic trait may fail to occur, it is still worth the long climb up to the Whispering Gallery. From the balcony, you can peer down at the floor of the cathedral where the main church services are conducted. Depending on which side of the dome you stand, it is also possible to see a bird’s eye view of the nave, north transept and south transept.

The most awe-inspiring sight from the Whispering Gallery is not the view below but the closer view of the painted ceiling of the dome. This, of course, can be seen from the ground, however, the intricate details can be better appreciated from this higher vantage point. Surrounding the entire dome, and made to look three dimensional with the inclusion of painted pillars, are murals to represent the life of Saint Paul.

There is evidence to suggest that Christopher Wren wished the entire ceiling to be made up of mosaics, but, most likely due to costs, Sir James Thornhill (1675/5-1743) was commissioned to provide monochrome paintings instead. St Paul’s Cathedral is one of two famous ceilings that Thornhill was responsible for, the other being the ceiling of the Old Royal Naval College in Greenwich.

Thornhill did not paint alone, instead, he supplied detailed pen-and-ink sketches for other painters to replicate. A total of eight scenes completes the experience of Saint Paul as written in the fifth book of the New Testament: the Book of Acts. A particularly memorable painting is based on an incident accounted in Acts 27 in which Paul has been shipwrecked on the island of Malta. The artist has depicted Saint Paul holding a poisonous snake, which ought to have killed him. His survival convinced the island inhabitants of the existence of God.

​Although Wren did not get his wish for the entire dome to be decked in mosaics, the triangular spaces below Thornhill’s work caused by the structure of the dome’s arches, have been filled with the coloured mosaics. Designed by Alfred Stevens (1823-1906) and George Frederic Watts (1817-1904), these portray four Old Testament prophets (Daniel, Ezekiel, Isaiah, Jeremiah) and the four Gospel writers (Matthew, Mark, Luke, John). Again, these can be seen from the cathedral floor, or from a closer perspective in the Whispering Gallery.

It is only natural for a cathedral to be filled with biblical paintings and objects, however, St Paul’s is also famous for a number of burials. The crypt, which can be entered via stairs by the north transept, is home to many graves and statues that honour individuals of significant reputation. The two most popular are the tombs of Lord Nelson and the Duke of Wellington.

Vice-Admiral Horatio Nelson earned his spot in St Paul’s crypt after being killed in 1805 at the Battle of Trafalgar. Despite his demise, Nelson prevented an invasion of Britain by Napoleon and his army. Field Marshal Arthur Wellesley, the Duke of Wellington, is also a national hero and deserves his granite casket under the cathedral. His army successfully defeated Napoleon at the famous Battle of Waterloo.

A third important thing to locate (no, not the cafe – although do visit that as well) is Sir Christopher Wren’s tomb. This is slightly more difficult to find in comparison to the elaborate memorials of the war heroes. In the south aisle of the Chapel of Faith, set in the Cathedral’s foundations, is a simple stone slab. Initially, this may appear an insult to the great architect and individual responsible for the construction of the long-lasting building, however, written in Latin above his tomb is the epitaph “Reader, if you seek his monument, look around you.” Wren does not need an effigy or ornate tombstone, he is buried in the undercroft of his very own creation.

Other notable memorials around the crypt are for artists and scientists who contributed greatly to society through their work. These include J. M. W. Turner, Joshua Reynolds, William Blake, Randolph Caldecott, Sir Alexander Fleming and Florence Nightingale. The latter is one of the very few women to be honoured in such a way at St Paul’s Cathedral.

Memorials in the form of statues can also be found inside the main body of the cathedral.   Carved by various sculptors from a variety of stone, an abundance of well-known names and likenesses can be spotted from all corners of the building. Lord Leighton, Lord Kitchener, Samuel Johnson and John Donne are a few examples. In the grounds outside, a gilded statue of Saint Paul and a stone Queen Anne, the reigning monarch at the completion of the Cathedral, are located.

St Paul’s Cathedral is also home to other artworks, excluding the memorial tombs and statues. The ceilings themselves are an exceptional feat, decorated with complicated mosaics. These were added from 1896 in order to appease Queen Victoria, who believed that cathedral looked dull and shabby.

Other works to look out for include Mother and Child by Henry Moore and The Light of the World by William Holman Hunt – the altarpiece in the Chapel of Saints Erkenwald and Ethelburga, as well as temporary exhibitions: the Commemorative Crosses by Gerry Judah – in memoriam of the First World War, Tides by Pablo Genovés and Martyrs by Bill Viola.

​Of course, everything else in the cathedral is beautiful enough to be recognised as art. From altars and gates to the stone flooring, everything can be appreciated. The current organ is also a sight to cherish. Being the third largest in the United Kingdom, it has 7256 pipes and is decorated with elaborate carvings. Apparently, even the original organ was something special, being the first in Britain to have pedals. The composer, George Frederick Handel, got great pleasure from playing this instrument.

St Paul’s Cathedral is as magnificent as it was when completed in 1711, only 36 years after work began. It has been the location of many ceremonies, particularly the wedding of Lady Diana Spencer and Prince Charles in 1981. It has also been a place of celebration for the jubilees of both of Britain’s longest reigning queens.

Thanks to Sir Christopher Wren’s durable architecture, St Paul’s Cathedral will hopefully remain standing for centuries to come. Thousands of services can be predicted to take place during the following years, but why wait to experience the amazing building? As long as you are willing to pay the fee, St Paul’s Cathedral is ready to welcome you and reveal its true beauty.

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I have found some interesting facts about the tongue:

1. A male tongue is about 3.3 inches
2. A female tongue is about 3.1 inches
3. A tongue has between 2000 and 4000 tastebuds 
4. Each tastebud only lives for one or two weeks
5. There are five tastes: sweet, sour, salty, bitter and savoury
6. The sides of the tongue are more sensitive than the middle
7. The colour of the tongue can indicate if a person is well or not
8. Tastebuds are not visible to the human eye 

While researching these facts, I wondered if animal tongues were any different to human tongues. Whereas a human tongue is around 3.3 inches, a giraffe’s tongue is 21 inches. 

How do we use our tongue? It is important to remember that everything can be used for both good and bad. A knife, for example, can be used as a tool, but it can also be used as a weapon. Nuclear atomic energy is a clean form of energy, but it can also be used as a weapon of mass destruction. The same applies to the tongue; we too can cause enormous devastation. 

A man came up to me and said, “Martin, you remind me of a computer.” I thought, wow, is that because I am quick, can solve most things and retain information? He said, “No. As you get older, you lose your memory, you become outdated, you crash unexpectedly, and eventually have to have your parts replaced.” Rude! 

So, with our tongue, we can uplift, or we can vilify. At a football match, there is chanting from the spectators. This chanting can uplift, and players have said there is nothing better than hearing their names being sung. Yet, the chanting often becomes quite nasty against the opposing team. 

We can control the tongue. We can control what we say and what we do. The reading in James is reminding us that there will be a judgement day. What we say and how it is received is very important. James is warning us to be careful. 

There is a little mnemonic, which is quite useful: THINK. Before you speak, you have to think:
Is it True?
Is it Helpful?
Is it Inspiring?
Is it Necessary?
Is it Kind?
Before you speak, THINK, and if your words fit that criterion, then go ahead and speak.

It is virtually impossible to find a building more steeped in British history than the spectacular structure of Westminster Abbey. Although sections of the present building date from the 1200s, its history dates even further back. Registered as a UNESCO World Heritage Site, the Abbey has been in constant use and importance in the life of past and present royal families. Still used for church services today, Westminster Abbey welcomes visitors to tour the sacred building and marvel at the architecture and the many wonders hidden inside.

There is a discrepancy about the origins of the first church built on this site, however, historical evidence has been confirmed for the years subsequent to the death of Edward the Confessor at the very beginning of 1066. Children are taught at an early age about the Battle of Hastings that followed the death of this holy king, but little to no emphasis is put on the use of Westminster Abbey at that time, nor in the lives of future monarchs.

Originally, the church founded by Edward the Confessor stood in roughly the same place as the current Abbey, however, its surroundings would have looked completely different to the built up area that exists today. Over a thousand years ago, the Westminster area was on the very outskirts of London, a city which had not yet expanded to its contemporary grand size. Not only was the church located in the suburbs, it stood on a boggy, inhospitable island known as Thorney. Surrounded by many tributaries of the River Thames, it was not the welcoming district it is today.

The current building was erected over hundreds of years, beginning during the reign of Henry III (crowned 1216-1272). As a devotee to the canonised St Edward (the Confessor), Henry wished to demolish the existing church and construct a spectacular structure in the European Gothic Style in the saint’s honour. St Edward, who had been buried in his own construction, was provided with his own shrine. St Edward the Confessor’s Chapel still remains in the centre of the Abbey, unfortunately, due to fragility and age, visitors are unable to enter.

Little is known about who was responsible for the design of what was to become Westminster Abbey, but the three main stone masons involved in the raising of the building have been recorded as Henry of Reyns (d1253), John of Gloucester and Robert of Beverley (d1285). Although influenced by French cathedrals, the continental style was simply appropriated rather than copied. In order to make the building unique to England, as well as contain the highest vault (102ft/31m), certain aspects were altered from the geometrical system. This includes a single aisle, a lengthy nave and wide transepts. The stone and marble sculptures add to the Englishness of the building.

​The façade of the Abbey, for which it is most famous, is as impressive as its interior. In order to keep its magnificent appearance, Westminster Abbey has been refaced several times, and may no longer resemble the original building. Architects, such as Sir Christopher Wren (1632-1723) and James Wyatt (1746-1813), have done a great deal of work on the building over the centuries. The latest major restoration took place between 1973-1995.

It is not clear who is responsible for the carvings, statues and effigies, but these are in over abundance in and out of the Abbey. Many Kings and Queens of England have been laid to rest under elaborate shrines and memorials that are so intricate it is difficult to believe that they were produced by the hands of a human being. And it is not only the royals who have been subjected to this lavish treatment; many members of the aristocracy have been honoured with a burial place in Westminster Abbey.

The most remarkable monument in the Abbey can be found in St Michael’s Chapel, one of the many small chapels located around the perimeter. Interestingly, this does not belong to a monarch but rather Lady Elizabeth Nightingale (1704-31) who died in childbirth. The memorial was designed by the French sculptor Louis-François Roubiliac (1702-1762) and consists of life-size figurines of Lady Elizabeth’s husband trying to protect her body from a skeletal apparition of death. To create realistic statues of people is one thing, but to successfully carve a skeleton from stone is a serious feat. Roubiliac was responsible for other effigies in the Abbey, including one of the musician Handel located in Poet’s Corner.

​Westminster Abbey is open to the public every day for services including Holy Communion, Morning Prayer and Evensong. For a fee, tourists are allowed in to follow a plotted tour around the holy building. Although this means it is difficult to take your time and study every hidden corner as a result of the crowd continually surging forth in one direction, the tour is laid out so that nothing is missed. The accompanying audio guide provides the history of the building’s involvement with the English royal family but also points out works of art, sculpture and architecture that will amaze many a visitor.

Unlike most churches throughout the country, not all the effigies remain the whitish-grey colour of stone. Evidence remains of coloured paint that was added to the statues to make them as lifelike as possible. Although some of these have faded over the years, many are still covered in the rich reds and blues.

Westminster Abbey was built before the fashion of painted ceilings and walls came in to being. In contrast to other London churches, for instance, St Paul’s Cathedral, the Abbey relies on ornate carvings for decoration. Having said that, during a cleaning in the 1930s, two wall paintings were uncovered that historians believe date back to the end of the 13th century. These have been identified as images of Christ with the apostle Thomas and Saint Christopher. Of all the artistic components of the Abbey, these early paintings are one of the few that feature religious content.

The most complex piece of art situated in the Abbey is the Cosmati Pavement in front of the High Altar. This also dates back to the 13th century and was commissioned by the abbot of the monastery, Richard de Ware (d1283). Pavements made of mosaics were all the rage in Italy, therefore Roman stonemasons were invited to England to lay something similar in the newly built Abbey. The pavement spans 24ft and is made up of a variety of material: onyx, porphyry, limestone and glass. The geometric pattern consists of an assortment of shapes and colours and, despite its age, still looks colourful today.

Although the architecture is phenomenal, the greatest attractions are the tombs and memorials of famous people – and not purely the Royals. Upwards of 3000 people are eternally remembered in the Abbey and more are likely to be included in years to come. The flamboyance of previous centuries has abated resulting in more indistinct plaques and stones for the more recent tributes. The most popular area for tourists is located in the South Transept and is most commonly known as Poet’s Corner.

Over 100 well-known authors, poets and playwrights are celebrated in Poet’s corner. Some, such as William Shakespeare (1564-1616), have ostentatious friezes, however, the majority have modest stone slabs, many of which are embedded into the floor. Literature lovers will be excited to locate some of their favourite authors, including Jane Austen, the Bronte sisters, Lewis Carroll (Charles Lutwidge Dodgson), Geoffrey Chaucer (the first to be buried in this corner), Charles Dickens, Thomas Hardy, Rudyard Kipling, C. S. Lewis, Lord Tennyson and William Wordsworth.

With floor and wall space running out, memorials have begun to feature on stained glass windows. These have been added fairly recently and take into consideration the writers who were shunned at the times of their deaths. Oscar Fingal O’Flahertie Wilde (1854-1900) is one example. Almost 100 years after his death, Oscar Wilde, who had been denied a place in Westminster Abbey on account of his sexuality, was awarded a humble lozenge in the giant window above the tomb of Geoffrey Chaucer. Space remains on the window for future authors to take their place amongst the other literary greats.
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Westminster Abbey is a captivating example of British architecture and history and is certainly worth the visit. There is no other church or building as elaborately adorned as this structure on the edge of the Thames. As visitors follow the numbered audio points on their tour, they are encouraged to look up and marvel at the mesmerising ceilings that must have taken several years to produce.

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​Martin Luther (1483-1546) was a German monk and professor of moral theology at the University of Halle-Wittenburg. Through his own preaching, Luther challenged the Catholic sentiment that freedom from God’s punishment for sins could be purchased – occasionally with monetary donations –  with the idea that salvation and eternal life are given as a gift from God for the believer’s faith in Jesus Christ. His academic debate criticising the ecclesiastical corruption was written up in his Ninety-Five Theses (1517) and sent to Albert of Brandenburg (1490-1545), the Archbishop of Mainz on 31st October 1517. Allegedly, Luther may have also have posted the Theses on the door of All Saints Church, Wittenberg as well as other churches in the area.

Martin Luther refused to abandon his strong views and was eventually excommunicated by Pope Leo X and condemned as an outlaw by Emperor Charles V. However, with the recent mechanisation of printing technology, the Ninety-Five Theses was already spreading rapidly throughout Europe.

At this time, England was under the rule of the second Tudor monarch, the notorious Henry VIII (1491-1547). Initially, Henry debunked Martin Luther’s ideas by writing, or at least commissioning, Assertio Septem Sacramentum (In Defence of the Seven Sacraments) (1521). This earned Henry the title of Fidei Defensor (Defender of the Faith) from the pope, however, he was soon to fall from the pope’s good graces.

For centuries, England had been a Catholic country with most aspects of life revolving around the Church. Although Henry was king, the Pope held higher power, therefore when Henry wished to divorce his first wife, Catherine of Aragon (1485-1536), in order to marry Anne Boleyn (1501-36), permission was denied. Enraged, Henry took matters into his own hands, utilizing Luther’s theory to overthrow authority and establishing himself as the Head of the Church of England in 1534.

Martin Luther, however, remained persona non grata after calling Henry a pig and a drunkard in retaliation to the king’s opinion that Luther was a malicious, evil and impudent monster. Although Protestantism entered England for selfish reasons, it soon spread quickly as the population’s literacy increased allowing people to read texts and form their own opinions. Soon, art and literature were adopting secular themes, theatres became popular, and religion took a back seat.

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